"The Khan Men of Agra" is a remarkable
piece of writing that describes a Pamela Michael’s experience in a foreign land
and how her journey unfolds when there was absent choice but trust a complete
stranger. We can sense the author’s alertness when she listed the different
types of people wanting to carry her luggage.
Perhaps two were porters, four or five were rickshaw drivers,
three or four were taxi drivers, and maybe a couple were thieves. (60)
It is the contrast from porters to
thieves place within a single sentence that creates an uneasy mood throughout the
story, which also builds a sense of suspense of the unknown when she finally
agreed to employ a stranger to carry her luggage, knowing that the stranger
could be one of the options listed. Suspense is also achieved by the imagery
Michael chooses to reveal to readers. The choices to mention the absent “Agra
Taxi Company” or the “glimpse of a spectral, loinclothed man through the
leaves,” are imagery told to readers so they could relate to the doubts Michael
had about the each situation.
I particularly enjoy how the mixed-up
tone was set when the author decided to start with: One good thing about monsoons. By starting this way, readers are fixated
on the gloominess and uncertainty elicited from the image of the monsoon season—unpredictable
and dark.
By combining these elements, Michael made
a story that was relatable, and ultimately uplifting at the end
Good response. I like your recognition of the contrasts she's dealing with.
ReplyDeleteDW
Joshua--thank you very much for the kind words about "The Khan Men of Agra." It was the first travel piece I ever wrote and it won me a trip to Italy. India remains one of my favorite destinations, though I've never been back. Someday, I hope.
ReplyDelete